Jeffrey Treviño
Composer
Events
September 27, 2008
Carlsbad Public Library, Carlsbad
Percussionist Ross Karre performs compositions by the Synchronism Project (William Brent, Ross Karre, and Jeffrey Treviño) as part of the Carlsbad Music Festival.
September 19, 2008
Herbert Zipper Concert Hall, Los Angeles
Percussionist Ross Karre performs compositions by the Synchronism Project (William Brent, Ross Karre, and Jeffrey Treviño).
July 12, 2008
Conservotorio Regional, Vila Real
Percussionist Sisco Aparici Minguez performs Substitute Judgment for solo multi-percussion with Ross Karre's integrated video, Metal Catalogue as part of the conservatory's summer percussion festival.
July 5, 2008
Poto, Grass Valley
Performance of Trailer for Ubik (Sound Collage after Philip K. Dick) for television, spotlight, and five speakers.
June 13, 2008
Unnameable Books, Brooklyn
Performances of Trailer for Ubik (Sound Collage after Philip K. Dick) for loudspeaker and synchronized spotlight and Christian Wolff in Cambridge by Morton Feldman.
June 2, 2008
Baird Recital Hall, Buffalo
The U.S. Premiere of Trailer for Ubik (Sound Collage after Philip K. Dick) for loudspeaker and synchronized spotlight at the 2008 June in Buffalo Festival of Contemporary Music.
May 13, 2008
Freiburg Hochschule für Musik, Freiburg
Percussionsts Johannes Fischer and Domenico Melchiorre premiere Perfection Factory for two percussionists.
March 30, 2008
Yale School of Music, New Haven
Lecture presentation of work including UBIK (Sound Collage after Philip K. Dick) and Perfection Factory.
March 25, 2008
Walt Disney Concert Hall, Los Angeles
Celesta performance with UCSD's percussion ensemble, red fish blue fish, directed by Steve Schick, in Alberto Ginastera's Cantata para América Mágica (op. 27, 1960). Part of a concert also featuring the Los Angeles Philharmonic Contemporary Music Ensemble and pianist Ursula Oppens in the LA Phil's Green Umbrella contemporary music series.
December 15, 2007
Chapman University, Chapman
Ross Karre performs Substitute Judgment + Metal Catalogue at the Chapman Conservatory Percussion Symposium.
December 14, 2007
Northwestern University, Chicago
James Ilgenfritz, III performs Mexican Apple Soda Paraphrase (Consumer Affect Simulation I.1) at the 2007 Conference of the International Society for Improvised Music.
November 26 - 28, 2007
The Mexican Center for Music and the Sonic Arts, Morelia
Lecture presentation, Smart Electronics for Stupid Music: Technological Complication and Aesthetic Simplicity in the Music of Jeffrey Treviño, as well as a performance of Trailer for UBIK (Sound Collage after Philip K. Dick) at the 2007 Visiones Sonoras international festival of electronic music.
November 21, 2007
Mandeville Recital Hall, La Jolla
Trailer for UBIK (Sound Collage after Philip K. Dick) premieres as part of the UCSD Graduate Students Forum.
November 10, 2007
Seoul Arts Center's Jayu Theatre, Seoul
Ross Karre performs Substitute Judgment + Metal Catalogue as part of the 2007 Seoul International Festival of Computer Music.
November 5, 2007
Hanyang University Department of Music, Seoul
Lecture presentation, Smart Electronics for Stupid Music: Technological Complication and Aesthetic Simplicity in the Music of Jeffrey Treviño, for Richard Dudas' History and Recent Trends of Computer Music class.
October 28, 2007
Carlsbad Library's Ruby G. Schulman Auditorium, Carlsbad
Ross Karre performs Substitute Judgment + Metal Catalogue in a recital of solo percussion music.
October 7, 2007
Roulette, New York City
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a concert of solo contrabass music, duos with trombonist Sarah Weaver, and soundpaintings with Sarah Weaver's soundpainting ensemble, Weave.
September 13, 2007
Towson University, Towson
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
September 12, 2007
Youngstown, Ohio
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
September 11, 2007
Cafe Bourbon, Columbus
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
September 8, 2007
Bohemian National Home, Detroit
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
September 7, 2007
Canterbury House, Ann Arbor
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
September 4, 2007
The Hilton Springfield, Illinois
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
September 1, 2007
Hotcakes Gallery, Milwaukee
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
August 30, 2007
Isabella's, Dubuque
James Ilgenfritz, III performs Mexican Apple Paraphrase (Consumer Affect Simulation I.1) and Binary Experiment for James Tenney in a recital of solo contrabass music.
August 18, 2007
Solitude Castle, Stuttgart
Members of the Ensemble SurPlus premiere Forty-Two Statcoulombs for string quartet.
August 5–9, 2007
Center for Research in Computing and the Arts, La Jolla
Ross Karre performs Substiute Judgment + Metal Catalogue as part of the 2007 International Conference of the Association for Computing Machinery's Special Interest Group on Graphics and Interactive Techniques (ACM SIGGRAPH 2007).
June 8, 2007
New York University's Stern School of Business, New York City
Paper presentation with Michael Gurevich, Expression and Its Discontents: Towards an Ecology of Musical Creation, at the 2007 International Conference on New Interfaces for Musical Expression.
May 19, 2007
warren lecture hall recording studio a, la jolla
Performance of Christian Wolff's I Like to Think of Harriet Tubman (1985, text by Susan Griffin) with Adrian Coburn (voice), Carolyn Chen (celesta), and James Ilgenfritz, III (contrabass) as part of Etcetera: A Festival of New Music by Graduate Students at the University of Califoria, San Diego.
May 12, 2007
warren lecture hall recording studio a, la jolla
Performance of Steve Reich's Music for 18 Musicians with graduate students and faculty from the graduate program in music at the University of California, San Diego as part of Etcetera: A Festival of New Music by Graduate Students at the University of Califora, San Diego.
May 11, 2007
warren lecture hall recording studio a, la jolla
Performance of Cristyn Magnus's Combat Music vs. Cristyn Magnus as part of Etcetera: A Festival of New Music by Graduate Students at the University of Califora, San Diego.
May 10, 2007
the kava lounge, san diego
Performance of Derek Keller's Impositions and Consequences (2005-2006), Flight and Revelation (2006), and Attitudes...Self Reflection...Assumptions Shattered (2002-2003) in celebration of his new CD on John Zorn's record label, Tzadik.
April 19–21, 2007
stanford university's cambell recital hall, palo alto
Performance of an improvisation based on Henry Cowell's famous solo piano piece, The Banshee, and a paper presentation about ontologies of musical notation, Eliminating Performance Practice, as part of the Stanford Department of Music's Performance Practice Symposium, Reactions to the Record.
March 29, 2007
mama buzz cafe, oakland
Performance of avant-garde covers of classic blues and country/western standards with the Guy Obrecht Duo.
March 28, 2007
lucky's bar, eugene
Performance of avant-garde covers of classic blues and country/western standards with the Guy Obrecht Duo.
March 27, 2007
the someday lounge, portland
Performance of avant-garde covers of classic blues and country/western standards with the Guy Obrecht Duo.
March 23, 2007
narducci's cafe, bakersfield
Performance of avant-garde covers of classic blues and country/western standards with the Guy Obrecht Duo.
March 19, 2007
erickson hall, la jolla
Performance of works by Fluxus composers (including George Brecht, Emmett Williams, Yoko Ono, and LaMonte Young) with Charles Curtis and members of his Fluxus class.
February 26, 2007
warren lecture hall recording studio a, la jolla
The Arditi String Quartet records Forty-Two Statcoulombs for string quartet.
February 20, 2007
mandeville recital hall, la jolla
Performance of Mexican Apple Soda (Consumer Affect Simulation I) for chamber ensemble and solo contrabass (James Ilgenfritz, III, soloist).
February 15, 2007
stanford university department of music, palo alto
Guest "WARNING: This could happen to you, too" lecture at the Stanford Undergraduate Composition Seminar.
February 13, 2007
mandeville recital hall, la jolla
Performance of Binary Experiment for James Tenney for four contrabasses by the University of California, San Diego Contrabass Ensemble (Mark Dresser, Han Han Cho, Jeff Denson, and James Ilgenfritz, III, contrabasses).
January 12, 2007
Mandeville music center recording studio, la jolla
Piano solo recording session with composer, guitarist, and philosophy Henry Flynt.
November 10, 2006
tulane university, new orleans
Ross Karre performs Substitute Judgment + Metal Catalogue as part of the 2006 International Computer Music Conference.
October 31, 2006
salvation mountain, niland
Performance of avant-garde covers of classic blues and country/western standards with the Guy Obrecht Duo.
October 30, 2006
symphony space, new york city
Performance of Mexican Apple Soda Paraphrase (Consumer Affect Simulation I.1) for solo contrabass and live electronics (James Ilgenfritz, III, soloist).
October 25, 2006
mandeville recital HAll
Performance of Mexican Apple Soda Paraphrase (Consumer Affect Simulation I.1) for solo contrabass and live electronics (James Ilgenfritz, III, soloist).
October 14, 2006
warren lecture hall recording studio a, la jolla
Performance of Mexican Apple Soda (Consumer Affect Simulation I) for chamber ensemble and solo contrabass (James Ilgenfritz, III, soloist).
July 11, 2006
the oberlin conservatory of music, oberlin
Ross Karre performs Substitute Judgment + Metal Catalogue and Zoetropes II in a recital of music for solo percussion and integrated video as part of the Oberlin Percussion Institute.
July 7, 2006
the Brooklyn Fireproof, new york city
Ross Karre performs Substitute Judgment + Metal Catalogue and Zoetropes II in a recital of music for solo percussion and integrated video.
July 6, 2006
Monkeytown, new york city
Ross Karre performs Substitute Judgment + Metal Catalogue in a recital of music for solo percussion and integrated video.
July 5, 2006
The Issue Project Room, new york city
Ross Karre performs Substitute Judgment + Metal Catalogue in a recital of music for solo percussion and integrated video.
June 11, 2006
erickson hall, la jolla
Ross Karre performs Substitute Judgment + Metal Catalogue and Zoetropes II in a recital of music for solo percussion and integrated video.
June 6, 2006
Christ and St. Steven's Church , new york city
Tony Oliver performs Substitute Judgment in a recital of new solo percussion music, organized by the Society for the Chromatic Arts.
May 28, 2006
Stanford University Center for Computer Research in Music and Acoustics, Palo Alto
Ross Karre performs Substitute Judgment + Metal Catalogue and Zoetropes II in a recital of music for solo percussion and integrated video.
May 27, 2006
University of California at Santa Cruz Department of Music, Santa Cruz
Ross Karre performs Substitute Judgment + Metal Catalogue and Zoetropes II in a recital of music for solo percussion and integrated video.
May 26, 2006
University of California at Santa Barbara, Goleta
Ross Karre performs Substitute Judgment + Metal Catalogue and Zoetropes II as part of the Reel Loud Film Festival.
May 13, 2006
Warren Lecture Hall Recording Studio A, La Jolla
Ross Karre performs Substitute Judgment + Metal Catalogue as part of the University of California, San Diego's Spring Festival of New Music.
March 19, 2006
The Museum of Making Music, Carlsbad
Ross Karre performs Substitute Judgment + Metal Catalogue as part of the University of California, San Diego's graduate Intra-area Workshop Final Concert.
January 15, 2006
The University of California at Santa Barbara's Center for the Interdisciplinary Study of Music, Goleta
Conducting live, synchronized film accompaniments, including my orchestration of Erik Satie's Cinema. Ross Karre premieres Substitute Judgment + Metal Catalogue for the International Conference on Music and the Moving Image.